We are pleased to premier the first track of the upcoming Special Consensus record Rivers and Roads, that features Special C' banjo player, Greg Cahill, on Alison Brown's new Deering Julia Belle banjo! This first song is a John Hartford tune "Way Down the River Road"!
Can you believe it is already the middle of October! January, and the Bluegrass & Blue Water Cruise will be upon us soon. Have you secured your spot yet?
If you want to trade the cold January winter for a blend of bluegrass and blue skies, this is the perfect opportunity! You are invited to join us for 6 days of Bluegrass and Blue Water... jamming, workshops, and all the relaxation of a cruise in the Bahamas along with it.
With a few chords under their belt, and perhaps a plectrum to hand, almost anyone can have fun strumming away on the banjo. In fact, as newcomers to the instrument that's where most of us tend to start out. If you wish to unlock the instrument's unique sound, however, you will have to learn one of the unique styles used to play it.
In the case of 3-finger style, that means mastering the art of the roll pattern.
A roll pattern is a series of eight notes picked repeatedly with the thumb, index, and middle fingers on the right hand (if right handed, opposite if left handed). By playing patterns over different chord shapes you create a stream of arpeggios or ‘broken chords'. This means picking each note of the chord one after another as opposed to strumming them together, and is what gives 3-finger style such a distinctive sound.
In bluegrass and 3-finger banjo the vast majority of tunes are made up of these different roll patterns. The patterns may be chopped and changed to suit each song but can always ultimately be traced back to a few core ideas.
As a beginner, learning all the variations on 5-string banjo rolls is neither necessary nor desirable. All you need to kickstart your playing are these four essential rolls: forward, backward, forward-backward, and mixed.
So you just bought a banjo! Now what? This video will answer all of your beginner questions about 3-finger style banjo.
Ryan Cavanaugh's innovative ideas of how and what is played on the 5-string banjo are occupied by few musicians alike. Hailing originally from North Carolina, Cavanaugh's first appearances as a child featured his hard-driving styles on WPAQ radio and with Doc Watson, Doug Dillard, and John McEuen. Cavanaugh is a champion of premier traditional banjo contests RockyGrass, MerleFest, FiddleFest and Renofest.
Thirteen year old Willow Osborne, picked up her first banjo at the tender age of four, and was taught by her friend & mentor, Gary "Biscuit" Davis, the 4-time International Banjo Champion. Willow's stage presence, vocal, and instrumental skills have given her the rare opportunity to perform as the Youth Performer at the Country Tonite Theatre in Pigeon Forge for the past 4 years. Dollywood Theme Parks “Bluegrass and Barbeque Festival” have honored her as well with her own show for the past 3 years. Willow has also appeared on PBS with Rhonda Vincent and The Rage, on a TV documentary with Jens Kruger and most recently with "Bill on the Road".
Ernie Welch started playing banjo late at the age of 21 taking lessons from Joe Oser, Rual Yarbrough and Bela Fleck. His early musical influences were the Beatles, The Rolling Stones, and Led Zeppelin. His Bluegrass influences were the New Grass Revival, The Seldom Seen, The Country Gentleman, The Nashville Bluegrass Band, and Hot Rize. While continuing to play with the Smokehouse Band, Ernie released two singles: “Ramblin Man” and “Who Have You Got To Lose” both produced by Johnny Sandlin, the original producer of the Allman Brothers on his Duct Tape Label. These releases charted in Cashbox and Billboard magazines. With “Ramblin Man” Ernie reached the # 3 position in the country on Cashbox for an Independent Artist. On keeping a band together for 29 years, Ernie is quoted as saying “I’m not a manager but I have developed good negotiating skills”. Ernie handles some of the songwriting duties and wrote “Walking After Midnight Over You” for the “20 Years Of Feedback” CD.
Austin Davis was fortunate enough to have been able to study basic to very advanced techniques with both Kerry Jones and Alan Munde. From single string practices to jazz in bluegrass a form, he soaked in as much as he could before joining the Josh Abbott Band. As a founding member, he has enjoyed trying to incorporate different styles of banjo into country music.