How To Tighten Your Banjo Head



  • 9/32” for Goodtime banjo/Boston
  • ¼” for Deering resonator banjos
  • 5/16” For openback Deering models



  • The banjo head typically has a firm tension.
  • For those of you with experience and a great ear, factory recommendations are to tighten it between G and G# on our frosted top heads.
  • For the rest of us this means that the banjo head should give just a little to gentle pressure from our hand and the bridge should definitely look like it is sitting on a flat surface. This gives your banjo a bright, sparkling, ringing tone that is what most (but not ALL) people think of when it comes to the sound of a banjo.
  • If the bridge is sitting in a valley, it is time to tighten the head tension unless you want a very warm sound.
  • The banjo head is held in place by a tension hoop which sits around the perimeter of the banjo head, and anywhere from 16-24 brackets/j-hooks around the edge, held in place by hex nuts at their base. These hooks and nuts are the “tension producers.” When you tighten the hex nut, the hook pulls down on the tension hoop, tightening the head.



  • If you want to go to the opposite tonal spectrum, tightening the head above G#, say to A, where it is rock hard to the touch.
  • You get a really super bright sound with good note distinction but less bass response.
  • You don’t want to go beyond A as the head will be so stiff that it cannot vibrate readily. You will generally hear a sound that is less full, is sharper, or what some people refer to as “tinny.”
  • Insert the nut into the wrench socket. Start by tightening the tension only 1/8 turn at a time on all hooks.
  • Use the logo as the 12 o’clock position. Start at 12 and move to 6; go clockwise then counter clockwise.
  • Go ONLY 1/8 turn on those hex nuts at a time to prevent “popping” or breaking the banjo head.
  • More good information on head tightening can be found on our website, in our online maintenance manuals in the “Support” section.



  • If you loosen the head tension, your head will not vibrate as readily nor transmit as much energy to the rest of the post assembly (rim, tone ring, head, hooks/nuts, tailpiece, armrest, maybe resonator and flange).
  • You will loosen the tension by backing off the tension on the hex nuts at the base of the hooks using the t-wrench.
  • Insert the nut into the wrench socket. Start by loosening the tension only 1/8 turn at a time on all hooks.
  • Use the logo as the 12 o’clock position. Start at 12 and move to 6; go clockwise then counter clockwise.
  • This reduction in tension results in a warmer, less bright, or plunkier sound. HOW MUCH it changes depends on how much you loosen the head.
  • Keep it firm enough to hold the bridge in place as there are other methods to mute the banjo further. Old timey frailers know these other tricks very well. They realize if you muffle the sound of the head, you create a banjo that is not only less loud but gives you a warm, deep tone with sustain. I have heard of players using foam blocks in the pot assembly, a rolled up rag, an old CD with a coating of bubble wrap, a mute on the bridge, you name it.
Carolina Bridges
Carolina Bridges

Director of Public Relations and Customer Service

Carolina has been working for Deering for over 18 years and says that her greatest joy comes from talking to all the customers who love banjo via email and on the phone. She met Janet and Greg Deering when her family joined Greg’s Boy Scout Troop and she is the proud mother of 2 Eagle Scouts. While her background is in the medical field, she has learned all about banjo over the past 18 years “hands on” by working with the talented folks at Deering. Carolina is also part of the artist relations team and enjoys helping new bands and artists find the best banjo for their performing needs. Very much a “people person”, you will find she is always happy to talk to about anything banjo.

  1. Thanks Carolina…from North Carolina, for the newsletter and banjo tips. I’m receiving my Deering Boston B6 six string banjo next week and I am anxious to try the many Carolina mountain songs I now play on guitar. I will no doubt be following the newsletters and support for more tips and technical support about the B6.

    I have just released my 10th guitar music CD “Cool Guitars” a ’50s & ’60s tribute album. I recently began my 3rd year performing at the Smoky Mountain Host Visitor’s Center, and expect I will be soon playing the Deering B6 six string there.

    Ronnie Evans
    Franklin, NC

    Ronnie Evans

  2. a pleasure to read your new format……….good stuff and videos to boot

    Thanks for your efforts on behalf os all I”m sure !!

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