Learning anything new can be a challenge. In the past I have approached most new songs with excitement and a good dose of trepidation! After all, my banjos skills are modest and that is just being honest. Recently I was sent the music for “Dueling Banjos” that included both the musical notation and tablature for guitar and banjo. Having had requests from customers for this music, I knew it was a great offering for the “more experienced player.” But, what about the beginner...the player who knows where the strings are without looking and can manage a pull-off, slide, and hammer on? These few basic skills are covered in “First Lessons Banjo” by Jack Hatfield , a book I have recommended frequently to new players. Could I even begin to learn “Dueling Banjos” with this basic arsenal of banjo skills? Over this last holiday I gave it a try...
I was driving home the other day when I saw these words written on the back of a car, “Good Habits for Life.” What a novel idea? OK, maybe not so “novel” but a good idea nonetheless. I began thinking about the banjo (no surprise there) and wondered; what are some good habits for the life of a banjo player? Try these…
The club is packed, the crowd is stoked, your sound check went beautifully, and you’ve already sold thirty CDs before playing a single note. Everything is going perfectly — so why do you feel like you want to throw up?
To celebrate their third anniversary the Tony Trischka School of Banjo is offering Deering supporters a free extra month of banjo lessons. Tony's revolutionary online banjo school has hundreds of video lessons ranging from beginner to advanced and is part of the ArtistWorks Academy of Bluegrass. To get your free month extra month head over to www.tonybanjo.com and use the promo code 'Deering1776'.
For a musician, the banjo offers acoustic power, super responsiveness to any kind of touch, brightness that can cut through the sound of an ensemble, warmth and richness to accompany voices and other instruments, and a tone character that is completely unique in the world of musical instruments. But how does all this happen?
OK, so you are saying to yourself that “banjo” and “subtle” are an oxymoron, right? How can a banjo in any way be connected with that word? Well, folks, just as “still waters run deep” so it is with our beloved banjo. If you aren’t paying attention to those subtle little details of playing the banjo, you may just be working too hard!
“Will I ever get better?” is the perennial cry of the pre-beginner (folks say there is no such thing as a pre-beginner but I have been one for 10 years…) or beginner player. We always feel just a tad bit “lacking” in improvement despite all of our best efforts. The truth is that we have more than likely made more progress than we know.
New York Banjo Summit to Feature Bela Fleck, Tony Trischka, Bill Keith, Eric Weisberg, Richie Stearns, Pete Wernick, Noam Pikelny, and Mac Benford
Many of the world’s most influential five-string banjo players – all with ties to New York State - will unite to perform a “Banjo Summit” in a limited ten-concert tour of the East Coast from October 25 through November 4, 2012.
Generally considered the most accomplished master of the instrument, Béla Fleck will be joined by fellow pickers Tony Trischka, Bill Keith, Eric Weissberg, Noam Pikelny, Richie Stearns, Pete Wernick and Mac Benford in concerts that will find the banjo being performed in both conventional and unexpected ways. In performances ranging from solos and duets to full-tilt banjo blowouts with all the players and an acoustic band, the stage setting will range from the traditional backdrop of bluegrass and old-time country music to the more unconventional banjo genres including jazz, classical and rock music.
Béla Fleck – a native of Manhattan - began making waves with a series of progressive banjo-centric recordings in the 1970s and as a member of the Newgrass Revival in the 1980s. As leader of the genre- busting Béla Fleck and the Flecktones since 1989, he has used the banjo to define the band’s one of a kind fusion of jazz, rock, bluegrass and world music. His collaborations with a wide diversity of artists such as jazz piano icon Chick Corea, Indian tabla master Zakir Hussain, classical bass virtuoso Edgar Meyer, and African artists Toumani Diabate and Oumou Sangare, have brought the banjo even further into unchartered territories. Béla Fleck has been nominated for Grammy awards in more categories than any artist in history, and has won 15 to date, with 30 nominations.
Tony Trischka - originally from Syracuse - took the bluegrass banjo to a whole new level in the 1970s with a series of recordings that explored rock and avant-garde jazz. He served as young Béla Fleck’s banjo teacher, and continues to explore the traditions and possibilities of the banjo through his “World Turning” concerts, his band Territory and as a record producer for artists such as Steve Martin.
Bill Keith, from Woodstock, is widely considered a trail blazer of the melodic style of banjo picking he brought forward as a member of Bill Monroe’s Bluegrass Boys. He went on to join the Jim Kweskin Jug Band and then helped pioneer the early newgrass movement with his work in bands with artists such as David Grisman, Peter Rowan and Richard Greene. He invented the “Keith tuners” that are used by banjo players around the world and which he distributes through his business Beacon Banjos.
Eric Weissberg – also a Woodstock resident - helped to bring the sound of the bluegrass banjo to mainstream America with his performance of “Dueling Banjos” on the soundtrack of the major motion picture “Deliverance”. This signature tune has gone on to become the world’s most familiar bluegrass instrumental.
Richie Stearns of Ithaca, brought the old-time clawhammer banjo style to a whole new audience with the jam bands Donna The Buffalo and The Horseflies, and has accompanied artists such as Natalie Merchant, Jim Lauderdale and Vassar Clements.
Pete Wernick – AKA “Dr. Banjo” – originally from New York City - is renowned as a hot-picking force in several trend-setting bands including Hot Rize and Country Cooking. A respected author and teacher of the instrument, Pete is a long-term President of the International Bluegrass Music Association.
Noam Pikelny, currently residing in Brooklyn, played in Leftover Salmon and the John Cowan Band before joining the Punch Brothers in 2006. The recipient of the Steve Martin Prize for Excellence in Banjo and Bluegrass in 2010, he has also recorded two albums as leader of the Noam Pikelny Band.
Mac Benford of Ithaca spearheaded the old-time music revival through his work with the Highwoods and Backwoods String Bands in the 1970s – he currently fronts Mac Benford’s Woodshed All Stars.
The banjoists will be accompanied on stage by a stellar acoustic band that features guitarist Russ Barenberg (of the Barenberg, Douglas & Meyer band), mandolinist Jesse Cobb (of the Infamous Stringdusters), violinist Alex Hargreaves (of the Sarah Jarosz band) and bassist Corey DiMario (of Crooked Still).